For this we must seek the answer in decrepit cinemas
whose balconies were walled off decades ago: on the screen
(where, in posh suburbia, a woman waits),
under the seats, in the fuzz and ancient vomit and
gumwrappers;
or in the lobby, where yellowing lobby cards announce
the advent of next week’s Republic serial: names
of a certain importance once…
— John Ashbery, “The Phantom Agents”
Why watch (or rewatch) Olivier Assayas’s 2022 series Irma Vep? Why write an essay on it almost a year after it first aired on HBO?
Keep reading with a 7-day free trial
Subscribe to The Culture We Deserve to keep reading this post and get 7 days of free access to the full post archives.